The Ultimate Tribute To The King

The Ultimate Tribute To The King

I’m looking forward to working Shawn Klush again in October. Shawn is the closest you will get to seeing Elvis Presley. I was playing the intro to Bridge Over Troubled Water on the 12ft grand piano at Red Robinson Theatre when Shawn began to sing, I got shivers down my spine. For a brief moment actually felt like I was on stage with Elvis. In the photo below Donny Edwards, Danny Vernon, myself and Shawn Klush hold a limited edition print of my painting of Elvis called “The Spirit Lives On”. The framed print was prize at one of our shows. The original painting of Elvis won the “Fan Favorite” award at Graceland.

How To Focus On What’s Important

How To Focus On What’s Important

A family member spent the day yesterday with a friend in palative care. The patient had a cheery outlook and encouraged us to live each day to the fullest. I know for me, each day is a gift and each day is an opportunity to create something that can inspire others. I wrote the song “Ride OF Your Life” for the Canadian Cancer Society however, the lyrics are challenge to everyone to take each hill and valley of your journey and realize how they will make you stronger.

If you haven’t heard it lately, click the play button above.

What would you do … if you knew you only had:

30 years
10 years
1 year
1 month
1 week
1 day
1 hour
1 minute … to live?

What do your answers tell you about what you should be doing today?

What are YOU going to do today?

Thanks to my friend Bobb Biehl for his wisdom. Get his newsletter at quickwisdom.com

If you enjoyed the song, consider downloading it from iTunes:
Ride of Your Life - Closer to You

Guy Kawasaki – 10 Slides

Guy Kawasaki – 10 Slides

Colin-GuyKawasakiI am constantly struggling with the number of slides to use in my presentations. Maybe you have the same problem. I like clean, simple, graphically enhanced slides but often my slide deck balloons to over 50 slides! I met Guy Kawasaki at an Ad Tech conference and he gave an entire keynote on preparing your slides for presentation. I quickly did a search and found his blog post, so I’ve included it here.


The 10/20/30 Rule of PowerPoint

by Guy Kawasaki

I suffer from something called Ménière’s disease—don’t worry, you cannot get it from reading my blog. The symptoms of Ménière’s include hearing loss, tinnitus (a constant ringing sound), and vertigo. There are many medical theories about its cause: too much salt, caffeine, or alcohol in one’s diet, too much stress, and allergies. Thus, I’ve worked to limit control all these factors.

However, I have another theory. As a venture capitalist, I have to listen to hundreds of entrepreneurs pitch their companies. Most of these pitches are crap: sixty slides about a “patent pending,” “first mover advantage,” “all we have to do is get 1% of the people in China to buy our product” startup. These pitches are so lousy that I’m losing my hearing, there’s a constant ringing in my ear, and every once in while the world starts spinning.

To prevent an epidemic of Ménière’s in the venture capital community, I am evangelizing the 10/20/30 Rule of PowerPoint. It’s quite simple: a PowerPoint presentation should have ten slides, last no more than twenty minutes, and contain no font smaller than thirty points. While I’m in the venture capital business, this rule is applicable for any presentation to reach agreement: for example, raising capital, making a sale, forming a partnership, etc.

  • Ten slides. Ten is the optimal number of slides in a PowerPoint presentation because a normal human being cannot comprehend more than ten concepts in a meeting—and venture capitalists are very normal. (The only difference between you and venture capitalist is that he is getting paid to gamble with someone else’s money). If you must use more than ten slides to explain your business, you probably don’t have a business. The ten topics that a venture capitalist cares about are:
    1. Problem
    2. Your solution
    3. Business model
    4. Underlying magic/technology
    5. Marketing and sales
    6. Competition
    7. Team
    8. Projections and milestones
    9. Status and timeline
    10. Summary and call to action
  • Twenty minutes. You should give your ten slides in twenty minutes. Sure, you have an hour time slot, but you’re using a Windows laptop, so it will take forty minutes to make it work with the projector. Even if setup goes perfectly, people will arrive late and have to leave early. In a perfect world, you give your pitch in twenty minutes, and you have forty minutes left for discussion.
  • Thirty-point font. The majority of the presentations that I see have text in a ten point font. As much text as possible is jammed into the slide, and then the presenter reads it. However, as soon as the audience figures out that you’re reading the text, it reads ahead of you because it can read faster than you can speak. The result is that you and the audience are out of synch.The reason people use a small font is twofold: first, that they don’t know their material well enough; second, they think that more text is more convincing. Total bozosity. Force yourself to use no font smaller than thirty points. I guarantee it will make your presentations better because it requires you to find the most salient points and to know how to explain them well. If “thirty points,” is too dogmatic, the I offer you an algorithm: find out the age of the oldest person in your audience and divide it by two. That’s your optimal font size.

So please observe the 10/20/30 Rule of PowerPoint. If nothing else, the next time someone in your audience complains of hearing loss, ringing, or vertigo, you’ll know what caused the problem.

Read more: http://blog.guykawasaki.com/2005/12/the_102030_rule.html#ixzz1tqZfwRG5

I’m not sure I can ever get a presentation down to 10 slides but it’s sure worth starting from Guy’s key points. Hope you find this useful. If you would like a copy of one of my slide decks, you can download one from here.

Paul Janz – I Go To Pieces

Paul Janz – I Go To Pieces

Since the Timeline feature was mandatory for Facebook, my social media coach insisted I go and dig around in my history vaults.

I’ve started with some of the key milestones in my life, one of which was helping Paul Janz, put a Canadian band together. I originally met Paul Janz in Europe when he was touring with a band call “Deliverance”.  They had a song on the radio called “Leaving LA” which was very Bee Gees like.  My dad is a singer and he was touring Russia with Paul’s dad. I had to stay behind in Germany and was invited to ride along with the Deliverance entourage as they toured Germany. When Paul eventually moved to Canada he used me as his point of contact to put a band together.

The Go To Pieces video was directed by David Devine and filmed in Toronto. The record company hired a gal to do wardrobe and she bought me a pink shirt and back combed my hair. I looked like a lion.

GoToPieces1

Steve Drake (The Odds) opted to get wilder with his pink tank top and beads. I’m glad I got wear my favorite black jacket. The video took hours to shoot and we spent the full day (and more) in that fake smoke. I can still smell that acrid, oily mist that made the lights look so cool. I remember my feet were burning like a hockey player’s in overtime. I had these suede boots on with no ankle support and thin soles. The excitement of making a video was enough to overcome  any minor irritations but it’s funny the little things that stick in your mind.

Every Song Tells A Story – Backstage

Every Song Tells A Story
What a wonderful experience to tour “The EverySong Tells A Story” show with Randy Bachman. The DVD is hard to find in stores but I managed to find it on Amazon.com Here is what people are saying:

” Randy’s band is excellent and sounded great. As for Colin, all I say is he is a suitable “stand in” for Burton Cummings and a talented musician. If you can’t have Burton Cummings, Colin is probably the next best thing. That is one huge pair of shoes that is impossible to fill anyway. By and large, Randy and crew successfully captured the distinctive sound of the GUESS WHO and BTO.”

” I for one would quickly purchase a volume 2 of this if it ever were available. His band is also very good, doing great work with each of the songs. I was surprised that Colin Wiebe was able to fill Burton Cummings’ shoes without sounding like an exact replica.”

” Randy put together a tight four piece band and put them into an intimate small theatre. Great sound and camera work. This is as good if not better than any Storytellers that I’ve seen on VH1.”

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Paths Of Dust and Hope

I did a gig at the Anza Club in Downtown Vancouver for a group of film producers that were fundraising for a documentary they are shooting in Zimbabwe, Africa. I think my cover music was a little dated for the crowd but when I performed my original songs they really came alive and paid attention. I infused some stories with the songs and that made all the difference. I’d  like to know if they ever finished the movie.

 

Butterflies in a Jar

I wrote this song about a friend of mine who had lost everything. His story of loss, victimization and attempted suicide touched me deeply.  I was struck with this image of a butterfly in a jar, dying a slow death. I imagined being totally exposed, having nowhere to hide and what it would be like to experience that feeling of utter helplessness. The subtle paraphrasing of certain verses from Psalms were intentional.

The video was filmed in the drug infested streets of Gastown in Vancouver BC Canada. The original actress hired for the video called in sick on the day of the shoot and we had to find a replacement at the last minute. Because we needed a female teenager, I asked my daughter Jess if she would fill in.  She did an amazing job and I was so proud of her. It was an eye opening experience for her to spend a day on skid row and one I’m sure one she’ll never forget. Jess still refuses to watch this video to this day (I think it’s because she doesn’t like the way she looks wearing that make-up to make her look like an addict. She was portraying a former addict who was rescued by a woman at the Salvation Army. She made a complete recovery and returned to this area many years later to help others the way she was once helped. You can see her in the last frame of the video.

Rare Gig With Burton Cummings

I just recently found this clip that was shot from the crowd in Lac Dubonnet Manitoba. I’m singing “All Shook Up” and Burton Cummings is playing piano. Donnie McDougall of The Guess Who is singing background vocals with Burton. Vance Master is drumming with Bill Wallace playing bass and James Creasy on lead guitar.

Elvis Elvis Elvis

Once again I was the musical director for the Legends of Rock and Roll production of Elvis Elvis Elvis. This tour kicked off at the Red Robinson Theatre in Coquitlam and the production features my buddy Donny Edwards doing an amazing job as the young 50’s Kid Creole Elvis,  Danny Vernon bringing back the 1968 comeback special and the incredible Shawn Klush stunning us with the Vegas years. In the video I am playing keyboards to the far left.